Deadly Drought in Zimbabwe-1

Ele­phant charge

The sky threat­ens, but rains do not come. Water points are now rarest. The last ones, fed by pumps, have turned into vis­cous mud ponds around which the ani­mals rush nonethe­less. The ele­phants monop­o­lize ponds, push­ing away the other ani­mals, which try to approach. They also fight between them to access some clear water still flow­ing. In times of short­age, the ani­mal is par­tic­u­larly sub­servient to its con­cern in self con­ser­va­tion. The strug­gle for his own sur­vival pre­dom­i­nates! No ques­tion of mutual assis­tance or empa­thy! Younger ani­mals are thus pushed regard­less, so that they ven­ture out or fall in the mud until they can­not some­times get out. There­fore, it was nec­es­sary, each of these days, to pull out ele­phants calves of the mud in which they were cap­tured. Con­tinue read­ing

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L’Homme Miroir de L’Homme

FACES OF DIGNITY

Paris Descartes Uni­ver­sity will be pre­sent­ing a selec­tion of my work on peo­ple through­out the world from Thurs­day 8 to 24 Novem­ber as part of the sec­onf Fes­ti­val of Pho­tog­ra­phy in Saint-Germain-des-Prés which this year will be ded­i­cated to travel and dream. Counter-tenor Sebastien Fournier will give us the immense plea­sure of per­form­ing pieces of baroque music in the Grand Amphithe­ater on the open­ing night Thurs­day 15 Novem­ber 8pm.The pho­tographs on dis­play, some of them new, oth­ers already pub­lished in the cof­fee table books: A Hau­teur d’Homme, L’Homme Pluriel and Con­tinue read­ing

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Les Âges de la Vie

CHILDHOOD NEVER LEAVES YOU

A new album Les âges de la vie [The stages of life] pub­lished by La Matinière Pub­lisher has just come out. Writ­ten by Axel Kahn and Yvan Bro­hard, it presents, in 16 chap­ters cov­er­ing the arts, the myths and the sci­ences, the main peri­ods mark­ing the life of the indi­vid­ual between the unknown of his appear­ance and the unknown of his dis­ap­pear­ance: childhood,adolescence, matu­rity, old age, posterity…Some thirty pho­tographs that I have gleaned here and there in about as many coun­tries, illus­trate these themes as a coun­ter­point to the works of Van Dyck, Titien, Klimt, Rem­brant, Con­tinue read­ing

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